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T43 2004 782.42 1649'09 — dc22 2004015140 Dedicated to the memory of Jason “Jam Master Jay” Mizzel, R. KEYES 22 Hip-Hop Feminist 277 JOAN MORGAN 23 Seeds and Fegacies: Tapping the Potential in Hip-Hop 283 GWENDOLYN D.

— Rap’s Recurrent Conflict ALAN LIGHT 137 14 The Rap on Rap: The “Black Music” that Isn’t Either DAVID SAMUELS 147 III Ain’t No Love in the Heart of the City: Hip-Hop, Space, and Place MURRAY FORMAN 155 15 Black Empires, White Desires: The Spatial Politics of Identity in the Age of Hip-Hop DAVARIAN L.Hip-hop is still fundamentally an art form that traffics in hyperbole, parody, kitsch, dramatic license, double entendres, signification, and other literary and artistic conventions to get its points across.By denying its musical and artistic merit, hip-hop’s critics get to have it both ways: they can deny the legitimate artistic standing of rap while seizing on its pervasive influence as an art form to prove what a terrible affect it has on youth.Some are directed at the post-civil rights era generation of Black academics who have been prominent in practicing the academic study of hip-hop.Thus, revered intellectuals and writers like Martin Kilson react angrily when they think intellectuals who engage hip-hop don’t embrace the values and styles of the civil rights movement.

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